The Vocaloid and Vocaloid 2 synthesis enginesĪre designed for singing, not reading text aloud. Is explained as "vocal expressions" such as vibrato and vocal fragments The Vocaloid synthesis technology was initiallyĬalled "Frequency-domain Singing Articulation Splicing and Shaping" although Yamaha no longer uses this name on its websites. In singing synthesis, the system produces realistic voices by adding information of vocal expressions like vibrato to score information. TechnologyThe Vocaloid singing synthesizer technology is categorized as concatenative synthesis, which splices and processes vocal fragments extracted from human singing voices in the frequency domain. Artists such as Mike Oldfield have also used Vocaloids within their work for back up singer vocals and sound samples. also have released compilation albums featuring Vocaloids.
Japanese record label Exit Tunes of Quake Inc. Japanese musical groups Livetune of Victor Entertainment and Supercell of Sony Music Entertainment Japan have released their songs featuring Vocaloid as vocals.
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The software is intended for professional musicians as well as lightĬomputer music users and has so far sold on the idea that the only The software was originally only available in English and Japanese, but as of Vocaloid 3, Spanish, Chinese and Korean have been added. Each Vocaloid is sold as "a singer in a box" designed to act as a replacement for an actual singer. The software can change the stress of the pronunciations, add effects such as vibrato, or change the dynamics and tone of the voice. A piano roll type interface is used to input the melody and the lyrics can be entered on each note. To create a song, the user must input the melody and lyrics. It uses synthesizing technology with specially recorded vocals of voice actors or singers. The software enables users to synthesize singing by typing in lyrics and melody. Backed by the Yamaha Corporation it developed the software into the commercial product "Vocaloid".
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Its signal processing part was developed through a joint research project led by Kenmochi Hideki at the Pompeu Fabra University in Spain in 2000 and originally was not intended to be a full commercial project.
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